Tongue Trippen’ in Munich 2

If I were to write my memoirs,  I would refer to this summer as the Siberian Summer. It is astonishingly cold here in Munich; however, our tiny hotel room accommodates us well, and we keep each other warm. On stage, with the Bavarian Radio Symphony Orchestra,  the spotlights blaze and the astonishing playing,  especially from the brass section, generates its own heat.

My first rehearsal was a sectional with groups 9 and 10 from Stockhausen’s Luzifers Tanz – piccolo, euphoniums, tubas, synthesizer and percussion. I had expected it to be a disaster as far as playing together goes, and so it was. We had no staging rehearsals, nor purely musical ones, so everything had to be put together on the spot. How was I to turn around in circles and stay with the conductor, especially in the sections with ritardandi and fermati? Monitors were also not realistic. I made some comprimises by not going full circle for at least one of the sections. We also spent a bit of time puzzling over a tempo discrepency in bar 933 between the full score and the solo and chamber music versions. Along with Kathinka, we decided that the solo version of the tempo was correct.

The next rehearsal was with full brass and percussion. When I say full, I do mean full! I never thought I would need amplification while playing piccolo,  but I am now very grateful.

The first tutti rehearsal went better than I expected.  I have come to terms with the fact that we will not achieve 100 % ensemble togetherness (that would require an additional rehearsal phase), so I focus on sounding as good as possible and making the movements as well as possible.

Will write more,  probably when I have my laptop again.  This thumb typing drives me nuts!

Brass and percussion for Zungenzpspitzentanz

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