No More Tears – Breath as a Leit Motif For the past year, my colleagues and I have been working with a wonderful vocal coach, Martin Lindsay. His sessions are structured in a way that got me thinking. We start with light stretching and breathing exercises, just enough to activate the abdominal muscles and diaphragm. I won’t go into detail about what these exercises entail because I want to focus on the how not the what. The successful how is that these exercises become a leit motif throughout the session; we come back to them regularly, if only briefly. This is such a wonderful way to come back to basics, especially after a difficult passage where tension may have built up. For years I have been thinking of this but using it only haphazardly in my teaching and practice. Wouldn’t it make sense for all of us to use breath awareness as a leit motif on a more regular basis? Imagine how many physical and psychological injuries may be avoided! I am reminded of a masterclass I attended some years ago given by a high profile flute teacher. The lesson started with a focused breathing session and an intelligent discussion of the breathing process. Then as the student played, she stumbled on a technical passage, over and over again. The teacher, instead of bringing her back to the relaxed and focused state she had at the beginning, continued to berate her for not being prepared. In the end, she was in tears, and I thought, what a shame! Perhaps she didn’t practice enough, but perhaps she didn’t practice well enough? Isn’t it also our job as teachers to address the issue of how to practice? Breathing awareness (whether you do actual exercises or not) should not be just an item on our checklist to be crossed off at the beginning of our session. We have to incorporate our awareness of good breathing in the literal sense of the word: to absorb it into our bodies. This will include repetition just as the development of a difficult passage, or the development of any good habit, will include repetition. To make any practice successful, whether musical, spiritual or the latest diet, it is not enough to just pay lip service. I pledge to make breathing awareness my leit motif. Related Posts Circular Breathing on the Modern Flute Effective Use (or not) of percussive sounds Bring in the Clones Looking Inward Atonal Intonation in Light of Berio’s Sequenzas Paul Edmund-Davies: 28 Day Warm Up Book Preparation for Expression Harmonic Exercises, with Articulation too! Are we confused now? Summer in the Back Seat prev next Related PostsJanuary 21, 2014 Are intervals born of air or lips? Let the leopard decide.June 16, 2011 Finger Exercises Based on Tai ChiApril 26, 2015 Harmonic Exercises, with Articulation too!December 29, 2012 Paul Edmund-Davies: 28 Day Warm Up BookJanuary 13, 2014 Scale Practice – Superlocrian!