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basics contemporary music exercise books & teaching materials extended techniques harmonics or harmonic multiphonics multiphonics practice technique

Getting Started with Multiphonics

I would like to share the following presentation: Getting Started with Multiphonics – with a deep dive into the harmonic structure of the flute sound. Since this is a work in progress, I will share a link to Google Slides instead of putting the content here. That way you can always view the latest version. Share your feedback, ideas, and corrections in the comment section here on this blog.

Big thanks to Julianna Nickel and her flute studio at George Mason University for inviting me to share these ideas. It was great to bounce around these thoughts, hear questions and receive feedback. Thanks to Studio Musikfabrik for initiating and funding this pedagogical initiative, which will result in a tutorial video scheduled to come out sometime in the Spring of 2021.

https://docs.google.com/presentation/d/1XZQvK567OgoM7MREmTqYzT0j6712FiIURzQJ-AZtrNQ/edit#slide=id.p

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basics exercises practice technique

Getting Back in the Saddle

I noticed a strange thing about getting back in shape after the last winter break. I was frustrated and, to be honest, a little frightened at how long it took to retrieve my “norm”, and wondered if it was a dire sign of things to come. I decided to blog about it, not only because most of us have a winter break before us, but to find out if I am the only person to have come up with the solution that I did.

My problem was sound, so I worked on all the “sound” things I was taught. Sonority, harmonics, melodies, whatever I could think of. Even articulation exercises, as sometimes if I do some forward tonguing, my lips are really encouraged to focus and relax. But that didn’t really help. Nothing seemed to really get the fuzz out. However, after a week or so (yes, it was that long!) I decided to ignore my sound and at least not let my fingers lose their condition as well. So I worked slowly on 2nd and 3rd octave chromatic exercises (from P. Edmund Davies’ book) and strangely enough, focusing on really coordinating my fingers somehow got my mouth to do what it had to do to get a good sound, and ping! I could play with my normal sound again.

Today*, due to delayed travels and chaos, I picked up the flute for the first time in a few days. Same yuckiness, but I remembered last year’s trick and it worked again. Was it my imagination, or could I actually feel the neural network involved in coordinating complex fingering activity actually communicating with and instructing my breathing apparatus and embouchure network on how to make an optimal sound? That is really what it felt like. Is there some neurological explanation for this, or is it psychological?

*Actually today is Christmas day for many, but here in Russia, it is just another Monday.

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basics exercises intonation tuners

Intonation Exercises

Here is a compendium of intonation exercises I have written over the years. They require either two players or one player and a sound-generator such as a tuner or an app. (The exception is the “Exchange” exercise.)

These exercises are based on being able to discern and manipulate difference tones, and contain a basic introduction to just intonation.

If you distribute these exercises please give credit where it is due. Have fun!

CLICK HERE FOR INTONATION EXERCISES PDF

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