Welcome to my website!

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Hello, welcome to my website and blog! For the last several decades I have been focusing on contemporary music practices and the poetics of interpretation. My most recent passion has been exploring electronic composition combined with improvisation. Currently, I am flutist of the Cologne-based Ensemble Musikfabrik, coach for our youth ensemble Studio Musikfabrik, and tutor for the Lucerne Festival Academy.

Are you a flutist interested in extended techniques? Click below, or use the search function in the menu bar.

Are you a composer interested in writing for flute? Click below, or use the search function in the menu bar.

General information and registration for interpreters.                           
Deadline for general registration December 15, 2019, November 30, 2019 for participation in the Festival concert.

About Mixtur: “The Festival Mixtur wants to establish itself as a meeting point of musicians and other artists whose work focuses on research; and the public, including those who have a background in new music as well as those who do not and to whom this area of artistic expression is a new experience. We seek out artists who consider risk as an inherent aspect of their work. We want to be an avenue for the Spanish and International public to discover and experience this art form in an environment that allows and encourages exchange and discussion.”

Free Stuff!! (more to come, so check back)

For composers, a handy PDF about composing for flute:

For flutists, a handout explaining some basic extended techniques:

Exercises on harmonics:

Singing and playing exercise based on Reichert:

Diminished scale exercise:

Collection of intonation exercises:

Share freely, but please credit me. Please also consider donating through Paypal to support the effort.

Recent Posts

Our Mythical Past

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Time to vent another pet peeve: “there are no great ____________ today”. Another take on the adage “kids these days….!”

“The standard of flutists has declined. There are so many good flutists today, but none can compare to the giants of the past” is a statement I have actually heard in several contexts by flutists of the older generation.

Stephen Jay Gould

I am truly convinced what we are witnessing is a statistical phenomenon of human systems, not the implied degeneration of our collective abilites. Scientist Stephen Jay Gould referred to this type of degeneration as entropic homogeneity 1. He argued heavily against its being the agent of seeming decline. To paraphrase him, over time (1) human performance (here, flute playing) approaches its outer limits of human capacity, and (2) systems tend to an equilibrium as they improve. What has actually declined is the standard deviation in average ability, which is a natural result of flutists having gotten better over the years.

” Paradoxically, this decline [of the standard deviation] produces a decrease in the difference between average and stellar performance. Therefore, modern leaders don’t stand so far above their contemporaries. The myth of ancient heroes – the greater distance between average and best in the past – actually records the improvement of play through time.”

Stephen Jay Gould, quoted in The Free Library

You could get into a lot of arguments here. Were the past heroes of flute playing relatively better, but absolutely worse (or equal)?

1 Gould, S. J. (1986, August). Entropic homogeneity isn’t why no one hits .400 anymore. Discover, pp. 60-66. Republished in Gould, S. J. Full House, Three Rivers Press, 1997. Gould applies his argument to the subject of sports, namely, baseball. I admit to directly stealing some of his wording and translating it into flute-speak.

Read about my other pet peeve “Too Many Flutists

  1. New Work for Piccolo (or any instrument) with Video Score Leave a reply
  2. Too Many Flutists Leave a reply