Electronic Works / Software


Coming later in 2024, new devices for live performance that use machine listening with cores based on gen~ processing 🙂 Very exciting for me!

Max-for-Live devices

Works with scores:

Work for Tromba Marina and electronics for Sara Cubarsi, premiere June 2024.

Horo horo to, an homage to Makiko Gotō for bass koto, alto flute, oboe and electronics (live and samples) with Peter Veale, bass koto and oboe, Score

Browbeat for flute and electronics based on text by Velimir Khlebnikov Score.

Time Bomb: Dissipation (Scrolling Score), Ebullition, Bring ’em Back for contraforte and (live) electronics. with Lorelei Dowling

Qisa for Lupophone and electronics with Peter Veale. Experimental graphic score

Sound Design / Works without Scores:

Lambent Horizons 5 electronic impromptus with Susanne Peters, flutes and vocals

Thunder and Lightning for solo piccolo and soundtrack.

Stolen Breath with bass flute and electronics. A tribute to Luigi Nono’s Das Atmende Klarsein

Ruina III: Navy Love for bass flute and soundtrack of synthesizers and Mayakovski’s voice reading his 1915 poem about love and destruction. Not as serious as it sounds.

Strange Joy with Florentin Ginot, contrabass and voice

Turbulenz: Ströme with Susanne Peters, bass flute

Sound Track Trailer Demo for a Star Wars movie.

Poetry Settings:

Erin is for speaking voice, neurally-trained lupophone and sampled contrabass flute. Poem by Jo Richter, lupophone sounds trained on samples by Peter Veale.

The Muse for speaking voice, alto flute and fragments of Anna Akhmatova’s poem “The Muse”

3 Poems by Anne Sexton for speaking voice, various instruments and electronics

3 Tributes to Sun Ra’s Poetry for speaking voice, Moog synthesizer and flutes (work-in-progress)

Listen to more on my Soundcloud Channel or on Bandcamp