Software:
Coming later in 2024, new devices for live performance that use machine listening with cores based on gen~ processing 🙂 Very exciting for me!
Works with scores:
Work for Tromba Marina and electronics for Sara Cubarsi, premiere June 2024.
Horo horo to, an homage to Makiko Gotō for bass koto, alto flute, oboe and electronics (live and samples) with Peter Veale, bass koto and oboe, Score
Browbeat for flute and electronics based on text by Velimir Khlebnikov Score.
Time Bomb: Dissipation (Scrolling Score), Ebullition, Bring ’em Back for contraforte and (live) electronics. with Lorelei Dowling
Qisa for Lupophone and electronics with Peter Veale. Experimental graphic score
Sound Design / Works without Scores:
Lambent Horizons 5 electronic impromptus with Susanne Peters, flutes and vocals
Thunder and Lightning for solo piccolo and soundtrack.
Stolen Breath with bass flute and electronics. A tribute to Luigi Nono’s Das Atmende Klarsein
Ruina III: Navy Love for bass flute and soundtrack of synthesizers and Mayakovski’s voice reading his 1915 poem about love and destruction. Not as serious as it sounds.
Strange Joy with Florentin Ginot, contrabass and voice
Turbulenz: Ströme with Susanne Peters, bass flute
Sound Track Trailer Demo for a Star Wars movie.
Poetry Settings:
Erin is for speaking voice, neurally-trained lupophone and sampled contrabass flute. Poem by Jo Richter, lupophone sounds trained on samples by Peter Veale.
The Muse for speaking voice, alto flute and fragments of Anna Akhmatova’s poem “The Muse”
3 Poems by Anne Sexton for speaking voice, various instruments and electronics
3 Tributes to Sun Ra’s Poetry for speaking voice, Moog synthesizer and flutes (work-in-progress)