Category: warm up

  • Some Practice Ideas

    A few thoughts after some days of intensive practice. My focus has been awareness of tension, since I have a few sore points on my hands due to an old injury. One concept from yoga has helped me. According to what I have learned, the arm structure is considered an open system, whereas the legs…

  • No More Tears – Breath as a Leit Motif

    For the past year, my colleagues and I have been working with a wonderful vocal coach, Martin Lindsay. His sessions are structured in a way that got me thinking. We start with light stretching and breathing exercises, just enough to activate the abdominal muscles and diaphragm. I won’t go into detail about what these exercises…

  • Harmonic Exercises, with Articulation too!

    When playing through the harmonic series, the second overtone (a twelth above the fundamental) is a great check point. When students begin learning harmonics, this one often proves elusive because of the tendency to cover too much of the embouchure hole. By rolling out a bit and blowing down, it usually speaks. The following exercise…

  • Are intervals born of air or lips? Let the leopard decide.

    On forums and in masterclasses there has been a lot of discussion about which element plays a more important role in producing intervals on the flute. Aside from the change of fingering, do we change more with the lips, with the air speed, or with air volume? Take the fingering element out of the equation…

  • Scale Practice – Superlocrian!

    If you are a diligent scale and arpeggio practicer, you might get tired of the major-minor-chromatic (and seconds, thirds, fourths, etc) routine. I want to share my enthusiasm for my scale of choice this week: the Superlocrian. If you have studied jazz, it won’t be new to you. This scale goes my many names. I…

  • Paul Edmund-Davies: 28 Day Warm Up Book

    Recently I have enjoyed working from Paul Edmund-Davies “The 28 Day Warm Up Book, for all flutists…..eventually!”. Its (English-only) text is extremely clear, with touches of humor that engage the reader from the start. His approach is extremely practical and humane. There is advice on how to approach your practice, how to structure it, and…

  • Singing and playing

    Some time ago I decided to devote at least a few minutes of my flute practice time to singing. Long story as to why, I won’t go in to that here. But the decision to sing, and the upcoming workshop I am giving at the Adams Flute Festival on Sunday April 15, 2012 inspired me…

  • Finger Exercises Based on Tai Chi

     This entry is cross posted on the musikFabrik blog   Anyone who works with their hands can benefit from the energy flow these exercises provide. I am no expert or student of Tai Chi, but I have had to work a lot at injury prevention. You can do them at the beginning of your warm…