NEW! Blog devoted to research into creative coding and AI in music
Works that engage with creative AI: click here for full list and brief explanations of implementations
Software:
Max-for-Live devices from my Github AZ devices. Check out my latest spectral-freeze device!
Coming later in 2025, new devices for live performance with cores based on gen~ processing 🙂 Very exciting for me!
Works with scores:
(A)live for trumpet, live electronics and live video, 2025 [10′] premiere September 20, Maastricht. Score available TBA.
Poem for Ghidorina for alto flute and live electronics, 2025 [6′] premiere September 20, Maastricht. Score available TBA.
inverno perduto for solo flute, 2025 [1′] written for Lisa Bost-Sandberg. Premeire August 8, 2025 Atlanta, Georgia. Score available TBA.
lourd comme un œuf, for tuba or double-bell euphonium with live electronics, 2024 [6′] written for Maxime Morel. Score
Tortion for Tromba Marina and electronics, 2024 [13′] written for Sara Cubarsi. Score of studio mix. Live performance video (with some score alterations and added percussion).
Time Bomb: Dissipation 3.0, 2024 [7′] for contraforte and (live) electronics. With Lorelei Dowling. Scrolling score, PDF score
Browbeat for flute and electronics, 2023 [9′] based on text by Velimir Khlebnikov Score.
Horo horo to, 2022 [9′] an homage to Makiko Gotō for bass koto, alto flute, oboe and electronics (live and samples) with Peter Veale, bass koto and oboe, Score
Qisa for Lupophone and electronics, 2022 [14′] with Peter Veale. Graphic score available on request.
Sound Design / Works without Scores:
Fluid Flutes audio-reactive stable fluid algorithms programmed in python and taichi.lang with bespoke delay system programmed in Max gen~
Julia, the Egg, and a Big Wheel for tuba, live electronics and video. Short experiment with Taichi/Python visuals and RAVE model
Sweep Profound Shadow | Wolf from the Door two short works for alto flute that use timbre matching, concatentive synthesis and RAVE models
Live-electronic demo of Flucoma and SP-Tools (now known as Data Knot) a lively display of how flute can be extended through creative machine learning.
Lambent Horizons 5 electronic impromptus with Susanne Peters, flutes and vocals
Thunder and Lightning for solo piccolo and soundtrack.
Stolen Breath with bass flute and electronics. A tribute to Luigi Nono’s Das Atmende Klarsein
Ruina III: Navy Love for bass flute and soundtrack of synthesizers and Mayakovski’s voice reading his 1915 poem about love and destruction. Not as serious as it sounds.
Strange Joy with Florentin Ginot, contrabass and voice
Turbulenz: Ströme with Susanne Peters, bass flute
Sound Track Trailer Fan trailer for a Star Wars movie.
Poetry Settings:
Erin is for speaking voice, neurally-trained lupophone and sampled contrabass flute. Poem by Jo Richter, lupophone sounds trained on samples by Peter Veale.
The Muse for speaking voice, alto flute and fragments of Anna Akhmatova’s poem “The Muse”
3 Poems by Anne Sexton for speaking voice, various instruments and electronics
3 Tributes to Sun Ra’s Poetry for speaking voice, Moog synthesizer and flutes (work-in-progress)