Blog for Flutists and Composers
-
Extended Techniques, Blessing or Abomination?
I am astonished by the occasional vitriol I encounter from some prominent flutists when it comes to extended techniques such as multiphonics, circular breathing and so on. They chant the same nonsense: “bad for your embouchure”, “waste of time”, “don’t be one of those players”. After over 20 years of experience with these techniques as…
-
Why Augmented Scales Kick Butt
Because of the seemingly innocuous combination of half-steps and minor thirds!It’s one of those symmetrical scales that I just love, although I know nature abhors perfect symmetry, and true beauty (like those lovely Japanese gardens) operates on the principle of slight asymmetry. But for composers, symmetry in the context of tonality is very useful when…
-
Nono: a Bass Flutist Prepares
Working on Das atmende Klarsein has provoked a bit of a crisis. Not that I can’t handle a piece for solo bass flute, small choir and live electronics. I eat that stuff for breakfast. Well, ok, I usually wait until after breakfast…. The crisis comes from several directions. One is historical. You wouldn’t think a…
-
Flute Multiphonics – Q&A for composers
Q: Should I write in the fingerings for multiphonics?A: Yes. It saves time. It saves misunderstandings. Books go out of print, so please avoid naming multiphonics by number. I know writing or drawing in multiphonics can be a pain. If you have many of them and want to save time and ink, you could write…
-
To Honk or Not to Honk: Low notes
Some flutists have a naturally rich low register. For others, high notes come more naturally. Some are blessed with the ease of both. I was a weakey one in the low register for years. The flip side of that was that I could play high and quietly with more ease than many others. What to…
-
Composing for Students (Conservatory Level)
I was asked by a composer what pitfalls there might be for writing an ensemble piece for a local conservatory. Since we both had copies Carin Levine’s Techniques of Flute Playing, I took that as my basis and made the following remarks. I will preface these remarks with an important note. If you are composing…
-
Bass Flute ins and outs – for composers
Here’s some collected advice on how to compose for the bass flute. Please realize that the bass flute is not a true bass instrument. It won’t honk unless you amplify it or use its third octave. Both can be very effective, but I often wonder why composers don’t take advantage of the beautiful acoustic sound…
-
Early Summer
Hey Folks,it’s been awhile, but now that I have re-couped from early summer projects it’s time for a retrospective. June 18th was a busy day. In preparation for an article for Pan, I visited the Hochschule here in Cologne. What a creepy place! Lovely naked concrete 80’s architecture. Anyway, that aside, had a very interesting…