Categories
exercises intonation microtonality practice

Sixth-Tone Exercise Audio

This is a very simple exercise for playing sixth-tones The audio file has undulations on three notes: (I picked these because they appear in a piece I am coaching.)

  • Bb3 – Bb3 sixth-tone lower
  • Db4 – Db4 sixth-tone lower
  • C3 – C3 sixth-tone higher

All you have to do is practice at first playing with the undulations, then against them so when the audio plays Bb – you try to play Bb sixth-tone lower, and check yourself as the tone moves. Here is a crude display, you can imagine the audio as the black line, your sound as the blue line.

Tuning is A=441

Here is the audio file

Categories
basics exercises practice technique

Getting Back in the Saddle

I noticed a strange thing about getting back in shape after the last winter break. I was frustrated and, to be honest, a little frightened at how long it took to retrieve my “norm”, and wondered if it was a dire sign of things to come. I decided to blog about it, not only because most of us have a winter break before us, but to find out if I am the only person to have come up with the solution that I did.

My problem was sound, so I worked on all the “sound” things I was taught. Sonority, harmonics, melodies, whatever I could think of. Even articulation exercises, as sometimes if I do some forward tonguing, my lips are really encouraged to focus and relax. But that didn’t really help. Nothing seemed to really get the fuzz out. However, after a week or so (yes, it was that long!) I decided to ignore my sound and at least not let my fingers lose their condition as well. So I worked slowly on 2nd and 3rd octave chromatic exercises (from P. Edmund Davies’ book) and strangely enough, focusing on really coordinating my fingers somehow got my mouth to do what it had to do to get a good sound, and ping! I could play with my normal sound again.

Today*, due to delayed travels and chaos, I picked up the flute for the first time in a few days. Same yuckiness, but I remembered last year’s trick and it worked again. Was it my imagination, or could I actually feel the neural network involved in coordinating complex fingering activity actually communicating with and instructing my breathing apparatus and embouchure network on how to make an optimal sound? That is really what it felt like. Is there some neurological explanation for this, or is it psychological?

*Actually today is Christmas day for many, but here in Russia, it is just another Monday.

Categories
basics exercises intonation tuners

Intonation Exercises

Here is a compendium of intonation exercises I have written over the years. They require either two players or one player and a sound-generator such as a tuner or an app. (The exception is the “Exchange” exercise.)

These exercises are based on being able to discern and manipulate difference tones, and contain a basic introduction to just intonation.

If you distribute these exercises please give credit where it is due. Have fun!

CLICK HERE FOR INTONATION EXERCISES PDF