Polyrthythms IV – Practicing Tempo Modulation


This is a continuation of my previous post, where I use Taffanel/Gaubert’s Exercises Journaliers no. 1 to practice polyrhythms. Check that out before trying these! It will give you the correct placement in the measure for 4:3 and 4:5, which I have not notated here.

In these exercises, the metronome stays the same but the player has to change gears. I like to use this as an articulation exercise. You can shift from single tonguing to double tonguing as the tempo changes (but the metronome doesn’t). It keeps you on your toes.

Set your metronome to a 3-beat pattern. The suggested tempo is a quarter note=45 but you can start slower if it helps. You’ll need to start on the third beat for this to come out right. I love the fact that this pattern gives you an added rest for breathing!

The following variation puts the polyrhythm first. If you are doing this as an articulation exercise, it is good to start with double tonguing and then go to single tonging. I find this shift to slower tonguing more challenging.

Here is another variation going against a 5-beat pattern. Set your metronome to reflect that, at quarter note=75 (or slower if that helps). For this to come out right, start on the second beat. (This pattern gives you an eighth note for breathing, hooray!)

And here, a variation starting with the polyrhythm.

I hope these exercises will be of some use. Please post a comment if you have questions. I have had various comments regarding the notation of these exercises. There are more detailed ways of notating them but I find the notation above gets the concept across. In the end, you don’t need the notes to perform the exercises. My goal in this was to use melodic material to develop a sense of rhythmic phrasing. 

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  1. Pingback: Polyrhythm III Exercise with Taffanel/Gaubert | Helen Bledsoe, Flutist

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