Helen Bledsoe

Category: Advice for Composers

  • Extended Techniques, Blessing or Abomination?

    I am astonished by the occasional vitriol I encounter from some prominent flutists when it comes to extended techniques such as multiphonics, circular breathing and so on. They chant the same nonsense: “bad for your embouchure”, “waste of time”, “don’t be one of those players”. After over 20 years of experience with these techniques as…

  • Flute Multiphonics – Q&A for composers

    Q: Should I write in the fingerings for multiphonics?A: Yes. It saves time. It saves misunderstandings. Books go out of print, so please avoid naming multiphonics by number. I know writing or drawing in multiphonics can be a pain. If you have many of them and want to save time and ink, you could write…

  • Composing for Students (Conservatory Level)

    I was asked by a composer what pitfalls there might be for writing an ensemble piece for a local conservatory. Since we both had copies Carin Levine’s Techniques of Flute Playing, I took that as my basis and made the following remarks. I will preface these remarks with an important note. If you are composing…

  • Bass Flute ins and outs – for composers

    Here’s some collected advice on how to compose for the bass flute. Please realize that the bass flute is not a true bass instrument. It won’t honk unless you amplify it or use its third octave. Both can be very effective, but I often wonder why composers don’t take advantage of the beautiful acoustic sound…

  • Bottom of the Food Chain

    Wondering why I haven’t posted recently? This is where I have been all week! At the bottom of the food chain! OK, maybe I exaggerate. Maybe more like a pawn on the chessboard of pieces where composers, conductors, organizers, managers are the big players. We play what sells, and ideas sell, beautiful packaging sells, regardless…

  • Pet Peeves for composers

    This is going to be a work in progress. To all composers – here is one musician’s (of the flutist persuasion) list of pet peeves:There is a compositional tradition which I would like to ask composers to please avoid, especially when writing for wind players. This is using a comma (which looks to a wind…

  • Stolen Moments: What Makes a Composition Difficult?

    This has got to be the worst time to start something you want to keep up. Blogging, now, with work and a 4 month old baby? Are you nuts? Well, silly question.I figure this stuff is in my head anyway, might as well get it out and get on with my life. A composer asked…