Category: pet peeves
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Tempo, Where’s the Hurry?
In my last entry, I made some sarcastic remarks about the tempo in Berio’s Sequenza for flute being too fast. Now with genuine curiosity, I would like to probe composers’ psyche in the hopes that it will reveal why given tempi are often too fast. I will try not to make this a rant. Given…
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Composing Articulation for Winds – Tell Me What To Say
This is an imaginary passage I have composed that has annoying and confusing articulation marks. If you are not a wind player, the fact that this is annoying may puzzle you. It’s like this: as a wind player, from the very beginning you receive strict instructions on the use of the tongue. If there is…
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Composing Dynamics
In composition workshops, the question sometimes arises: in an ensemble or orchestral situation, how does one write dynamics for individual instruments? For example, if you want a balanced forte among winds and brass, does one write forte for the winds (assuming they are not playing in the altissimo register) but mezzo forte for the brass?…
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The True Range of the C Flute
Back in the USSR, when information was really suppressed, many people were hungry for the truth. Now governments hide the truth from us under a deluge of information. I think composers suffer from this deluge, but it is not a government conspiracy. The true range of the concert C flute is a matter of public…
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Writing Harmonics for Flute – when is a harmonic not a harmonic?
Harmonics (also called overtones or flageolets) are great! I love playing them, but I want to mention several issues when writing them for flute, piccolo, alto flute or bass flute. The most prevalent mistake is writing harmonics that are too low. The following notes cannot be written as harmonics: The above notes can only be…
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Contemporary Music: Where’s the Music?
Funny how memories work. I am left with the lingering conviction, no doubt untrue, that the esthetic of Arnold Schönberg and the Second Viennese School was motivated by peevishness. Not that I was there to remember, but it is the sense I got from student reading and listening to hip lecturers. (For example, I enjoyed…
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Intonation I : Flutonation
Practicing intonation, I’ve noticed a few funny quirks of mine which I know are shared by many other flutists, so I think it is worthwhile confessing and hanging them out to dry.(By the way, barring any live musicians I can scare up to do my nerdy exercises, my partner in intonation practice is my Korg…
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Pet Peeves for composers
This is going to be a work in progress. To all composers – here is one musician’s (of the flutist persuasion) list of pet peeves:There is a compositional tradition which I would like to ask composers to please avoid, especially when writing for wind players. This is using a comma (which looks to a wind…