This is a bit unusual for me, but I would like to informally survey performer’s thoughts on performing mircotonal music. Not thoughts about microtonal music in general, but the issues, problems, difficulties or joys of actually playing or singing the stuff. Which notations are best? Are the difficulties worth the acoustic result? Are the acoustic results hear-able, worth the effort?
I realize there are as many uses of microtonality as there are composers who use it, but if there are especially good or bad examples, I would be interested in knowing who and why.