I made myself laugh while doing Moon Salutations (yoga exercises similar to the Sun Salutations) last night. The thought came to me: if I were to suddenly become an enlightened being, I would frighten myself. The thought really amused me and I got to thinking about the idea of self, escape, and whether there is a separate self from which we can escape. These questions are not within the scope of my flute blog.
But wait, if there is no escape, can’t we at least as artists live in ways which allow growth and re-definition?
Yes, to a degree. I have “escaped” the person I could have been, had I not become a musician. However, there are basic formats I can’t escape, reminders of which never cease. In a post from 2009, I recounted the sexist attitudes of an old-world, now-deceased teacher who, by his own admission, gave more professional attention his male students. Later that same year, I met a teacher of my own generation who, in front of his class of female students, said he would take any male student no matter how he played just to escape drowning in a sea of estrogen. OK, the drowning-in-estrogen part I made up, but he may as well have said it.
This is not going to be a feminist rant, I promise, but allow me one more example, hopefully more universal. A student of mine played brilliantly for a final exam. During the critique and pep-talk, one professor, who I have long known to be a decent person, said to her: you are a great player, but you need to project yourself, your musical presence (not meaning the sound, it was huge) more strongly on stage if you want to get anywhere because you are a small Asian woman. I thought of what might happen if this were an American institution, the hue and cry of sexism and racism it would incite. However, I know this person, he was sincerely trying to be helpful. He was just very direct and personal, which Germans tend to be (although the Russians certainly give them a run for their money).
Two deductions I can make of all this: 1) Flutistic reality can be seen as liberating. When I was younger, I thought ability and accomplishment were the answers to everything, and I was a prisoner to the idea that I was my flute playing. When it comes to being in the profession, though, any flutist in the running is awesome, so it is you, your musicianship, your attitudes, your person, who ends up with the job. Or not. However, if you were in the running, you are still awesome and still you, if you have ever taken time to cultivate a you. Perhaps not everyone’s idea of liberty, but for me works.
2) There is no escape from who you are, neither should there be a need for escape. In a perfect world. The world does need changing, but I am not a fan of revolution, it usually brings back the same mess in a different guise. I believe more in the permanent, although maddeningly slow, changes that evolution brings. What can one do except work towards being a kick-ass flutist and kick-ass person? Many things, I suppose, but those are the things I have chosen.
Photo credit: Maxim Senin